A fascinating look at the Haenyeo, female divers in Jeju Province, South Korea. These fearless women, some well into their 80s, work tirelessly year-round, diving deep into frigid and often dangerous waters to retrieve abalone, conch, and other treasures of the sea. Shunning underwater breathing devices and modern tools, their breath-holding capacity is their greatest asset.

La Paloma is one of the most frequently played songs in the world. This film traces its journey through history from its birth in the 1860s to the diverse settings across the globe where the haunting melody lives on. From a political rally in Mexico to a burial in Romania; from Nazi Germany to a wedding in Zanzibar; La Paloma has even left its mark on Hawaiian slack key guitar.

Equal parts repellent and fascinating, this short film is like a visual poem, narrated and set to music. Time-lapse photography reveals the natural process of food and animals molding, decomposing, and ultimately transforming into new forms. Who knew that putrefaction could be so beautiful? Even so, watching this film during your lunch break is probably not a good idea!

This film combines four short documentaries highlighting stories of immigrants to America from Korea, Cambodia, China, and Japan. The films are: A Portrait of Us, directed by Sarah Park; Conversations at the Register by Brandon Soun and Lan Nguyen; What Remains by Ginger Yifan Chen; and Sincerely Miné Okubo, directed by Yuka Murakami.

The phrase “Matter Out of Place” refers to any object or impact not native to the immediate environment. Nikolaus Geyrhalter, the director, travels all over the world to put a spotlight on various examples of matter out of place. The documentary focuses on the expanding problem of human-made refuse and the endless struggle to control it.

The Pretendians, directed by Paul Kemp with Drew Hayden Taylor, discusses indigenous identity and appropriation of the rights of native people in Canada and the United States. Drew Hayden Taylor, an Anishinaabe author from Curve Lake First Nations, visits gift shops, universities, and reservation gas stations to investigate instances of fraud related to falsely claimed indigenous identity by “Pretend Indians.”

The Apollonia is a schooner, a type of sailing ship with two or more masts. She is captained by Sam Merrett as the crew ships freight up and down the Hudson River. Windshipped, directed by Jon Bowermaster, follows the ship and crew as they revive an age-old method of moving products to cities along the banks of the river. This practice of sail freight attracts businesses interested in sustainable and carbon neutral options for shipping their products.

Filmmaker and philanthropist Abigail Disney grapples with America’s profound inequality crisis. The story begins in 2018, after Abigail encounters workers at the company that bears her name struggling to put food on the table. Could she, a descendent, with no role in the multinational conglomerate, use her famous last name to help pressure Disney and other American corporations to treat low-wage workers more humanely?

A chronicle of resistance to the Dakota Access Pipeline (DAPL), WE ARE UNARMED bears witness to this historic event from the first week of September 2016 to forced evacuation on February 23rd, 2017. Award-winning filmmaker Gwendolen Cates goes behind the scenes with three Lakota women who play central roles – Kelly Morgan, the tribal archaeologist, Phyllis Young, the longtime activist who became the movement spokesperson and strategist, and Holy Elk Lafferty, the young camp leader.

A story about the challenge of keeping Dolpo’s ancient culture alive as the area becomes less isolated. It centers on Pema’s parents’ expectation that Pema will return to Dolpo when he completes his education, marry a Dolpapa woman, and manage the family’s land. As the only son, this is his role in Dolpo’s traditional culture. Pema is torn between his duty to the family and his desire to live the modern life that he now prefers.

Town Destroyer explores the ways we look at art and history at a time of racial reckoning. The story focuses on a dispute over historic murals depicting the life of George Washington: slaveowner, general, land speculator, President, and a man Seneca leaders called “Town Destroyer” after he ordered their villages destroyed during the Revolutionary War.